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THE ARTISTS VILLAGE

Home to the Zupata de Ruiz family, a bohemian shanty-town that attracts those living a life diametrically opposite of the lives of those at the lavish resorts - yet existing literally right outside the gates of Paradise.  

 

Day laborers and fishermen

live together with 

artists, musicians,

poets, and surfers 

in a tucked away heaven.  

 

Selling, sharing and bartering

their services or art, they have

little material wealth,

many are out of work,

most live in poverty.

     

 

 

 

 

Such striking social inequalities should breed resentment toward wealthy American interlopers.  But for a large number of Mexicans the opposite is true:

 

Many Mexican waiters, hotel workers, and housemaids see an opportunity to escape poverty through these desperately needed jobs. Although their pay is low by American standards - in Mexico these workers are making a living wage double or triple what they would make normally and are able to feed their families, send their children to school, save up to buy their own homes, and eventually ascend from poverty to the lower middle class.  Many locals feel that foreigners bring to their country a lift to the quality of life and opportunities for their entire town. While they might be maids or waiters today they hope that their children will be managers. 

 

However not all locals feel that way... 

 

Native environmental activists are outraged that aggressive American developers don’t care that they are getting rich off the degradation of their home, one of the most majestic landscapes in the world.  They are ready for a showdown - not just with the developers but with their own people who scream at them to “shut up-we need the jobs”  to which they answer “but at what cost?”.

 

 

"The dichotomy between the haves and have-nots has become extraordinarily pronounced in Mexico.  You have people living in cardboard shacks practically next door to the most affluent people on the planet who are living in luxury."

L.A. Times "Taking Baja South" By Reed Johnson, October 7, 2014

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